Issue 11…

…of MAKE: A Literary Magazine is almost here, just in time for Halloween weekend:
Celebrate its arrival this Friday, October 28th at 7:00 pm at Rational Park, 2557 W. North Ave #1 in Chicago. There will be short readings and ruminations from issue #11 contributors Janet Desaulniers, David Raskin, Spencer Hendrixson, Zeena Barazanji, Laura Goldstein, Benjamin David Van Loon, and Dylan Nice, plus an animation installation by illustrator and #11 contributor Geoffrey Hamerlinck, as well as DJ Nathan Hinshaw of Let’s See Other People. Additionally? There will be candy corn.
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An Alluring Thursday

The UPS guy just came by with the November issue of Allure, and never have I been so excited to receive a copy of a women’s magazine in my life. Right there on page 110, across from an ad exhorting me to “restore” my “collagen” thereby smoothing “out the signs of aging”…

…is an essay that I wrote about Teresa, who has been cutting my hair with love and skill since I was eight years old. “Just as Michelangelo labored to free the figure born in his brain from the confines of the marble block, so too does Teresa possess an ancient understanding that there exists in everyone’s hair a beautiful stable structure that can be revealed by skilled subtraction,” I say.  But you can pick up a copy (it’s the one with Ashley Greene on the cover) and read the whole thing, if you’d like, because it’s on newsstands now.

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Hustle on over to Come All Ye Sinners…

…is the clever headline I came up with to promote this upcoming weekend’s two not-to-be-missed (according to me) Chicago literary events. First, this Friday, October 21st at 8:00 pm the Chicago Poetry Brothel–featuring special guest Prose Whore Karen Abbott, author of Sin in the Second Citywill take over historic Thalia Hall in Pilsen to provide poetry, music, libations, burlesque and other assorted artistic debauchery for the discriminating gentleperson for the low low price of just $5. It’s the last show of the year, people, so you won’t want to miss it:

Then, on Saturday the 22nd at the Book Cellar in Lincoln Square at 7:00 pm, I’ll be reading with the inimitable Jason Skipper who is touring the nation behind his debut novel Hustle, about which  the equally inimitable Charles Baxter says: “The central truth of Hustle is that we’re all on the edge of a cliff. This is a fine story, honestly told.” The cover looks like this, but you really ought to see it for yourself on Saturday:


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Timothy Grayson & Elliott Swinburn…

…are staying at our house. If their names sound like the epitome of English, that’s because they’re visiting from England, and they are here to spread poetry to the people of America, including these people, last night, at an event for Need for Speed in Uptown:

Original Poetry Whore Tim is in the picture (left) and–credit where it’s due–Elliott took it.  I’d attempt to explain all the subtleties of their endeavor, except Tim does a much better job over here on his blog. Semi-relatedly, my DePaul poetry students have just finished writing their midterms (and I’ve just finished grading them; heck yeah) in part on what impact technology had on their ability to memorize a poem, and to interact with poetry broadly speaking. Their essays were a pleasure to read because no two of them said exactly the same thing about the question. Having Tim and Elliott here at the same time as these essays were coming in has made me think that it would be unlikely that our guests would be staying with us were it not, to some extent, for social networking. Interesting.

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Franki Elliott…

…is not Franki Elliott’s real name. In part because of her employer’s potentially negative and retaliatory reaction to her creative endeavors (a grotesquely unfair situation to which I can certainly relate), it’s the name she blogs and writes under, though, and it’s the name under which she–and Curbside Splendor–have published her first book, Piano Rats. The book–designed by Shawn Stucky–looks like this… 

….and includes a blurb I wrote that says: “The 44 pieces in Franki Elliott’s Piano Rats are like the best kind of chance meetings—weird and unsettling, specific and transformative. They are Frank O’Hara meets Ellen Kennedy,  ’first kiss’meets ‘fuck off,’ ‘hell’ meets ‘rainstorm,’ poetry meets prose, narrative meets lyric, trailer park meets city street. But they are also entirely themselves, places where you ‘remember who you wanted to be.’” Add to cart!

The release party will take place this coming Saturday, October 15th at 6:00 pm at Hinge Gallery at 1955 W. Chicago Ave. and will include Past Life Readings by Ryan Fukuda, live screenprinting, music, drinks, and readings from the book, of course. If you live–or are going to be–in Chicago, stop by.

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Occupy Chicago…

…is a thing that is happening……although because the demonstrations have not been covered nearly as much as they–and Occupy Wall Street, and all the Occupy movements–ought to be by various media outlets, I figured I should go down to the Federal Reserve and check it out for myself. So before I taught this afternoon at Roosevelt, I went to LaSalle Street and donated some of the items the protesters had listed on their website as being supplies they needed. The protesters I talked to…

…were educated, eloquent, passionate and organized, and lots of cars were honking in support as they passed by and read the signs and heard the demonstrators drumming and chanting, “This is what democracy looks like:”At DePaul, my Literature and Identity class has been reading Edith Wharton, and the chanting made me think of the introduction to House of Mirth by Martha Banta, where she writes of Paul Bourget who did the preface to the 1908 French edition: “Bourget observes that Americans like to think theirs is a classless society, one based on principles of complete equality for all citizens. But this is not the case. Masked by the look of democracy, the United States consists of two worlds in conflict: that of the aristocrats of great wealth and that of the general populace which labours without guarantees of economic or social equality.” The Occupy movement keeps getting slammed for not having a “clear message,” but one of their many worthwhile points seems to be that the United States should not have a society that is merely masked by the “look of democracy,” but rather one which really does strive to be compassionate and egalitarian–that that should be what democracy looks like.

Anyway, after I visited the protesters, I headed to my creative nonfiction workshop where about half of the students didn’t even know the Occupy movement was going on, but they wanted to know, and were excited to hear about it. We talked about Gramsci, and hegemony, and how “the ruling class maintain[s] its domination by the consent of the mass of the people and only use[s] its coercive apparatuses, the forces of law and order, as a last resort.” And then the protest marched by right outside the classroom window…

…and class was over. But the movement was not.

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Thy stars below in Frederick town!

Frederick, Maryland–where we went over the weekend for a very Rose Metal Press wedding– is so full of Civil War history that it’s almost impossible to walk down its quaint streets without tripping over, for example, the Barbara Fritchie House……home of the subject of the John Greenleaf Whittier poem “Barbara Frietchie,” which tells the rhyming tale of a brave little old lady who shook the Union flag in Stonewall Jackson’s slavery-upholding, nation-tearing-aparting face when he was marching through the town, telling him “Shoot, if you must, this old gray head, / but spare your country’s flag,” causing the Confederate general’s countenance to experience, “A shade of sadness, a blush of shame.” Winston Churchill loved this poem so much, he recited it from memory when FDR toured him around America in 1943. And who can blame him? The idea of a 95-year-old, non-violent, female Union Civil War hero is compelling. No matter that the story of Fritchie is most probably bullshit (or, as the plaque below has it, that it’s disputed by “spoilsport historians”); the whole thing is available for tourists to read, right outside the house:Frederick also boasts The National Museum of Civil War Medicine, which in turn boasts creepily excellent wax figures… and important information about Walt Whitman’s service as a nurse–a “male nurse,” as the exhibit explains–during the war: More haunting than any of that, though, was Harper’s Ferry, West Virginia……site of the abolitionist John Brown’s last stand……commemorated with museums, structures, and artworks all over the town, including the one pictured above which features a quote from Stephen Vincent Benet’s forgotten (or pretty forgotten) and mediocre Pulitzer Prize-winning book-length poem John Brown’s Body. We happened to be visiting the day after the U.S. government announced that they’d killed Anwar al-Awlaki in a drone attack in Yemen, so it was an interesting time to be thinking of terrorism, both of the domestic variety and the kind that comes from abroad. But that’s way too much to get into for a blog post, so I’ll just recommend that you visit Harper’s Ferry if you ever get the opportunity, and close with this photo from the wedding–congrats, Abby: 

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Where I’m blogging from…

…has windows on three sides and looks like this–dim, green–on rainy fall evenings:

You can’t necessarily know from the photo, but the place we just moved to is on the third and top floor so there’s nobody nobody nobody above us–high up and quiet, the best way to live.

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Is it weird to quasi-review a book that you edited?

Maybe so, but I did it anyway for Molly Gaudry’s  fabulous and reformatted The Lit Pub. You can read about the reason I think all five of the chapbooks in They Could No Longer Contain Themselves, released earlier this year by Rose Metal Press, go together here. Thanks, Molly.

And if you read that and then want to read another site that recently updated itself, you can check out  Drunken Boat which just launched Issue #14. There are 4 Robinson poems in there, if you’re interested in that sort of thing.

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Robinson Alone Provides the Image! Coming semi-soon!

I am thrilled and a half to announce that Robinson Alone Provides the Image–a novel-in-poems that I have been working on (on and off) for over a decade–has been accepted for publication. The collection, based on the life and work of Weldon Kees and his alter ego Robinson, will be published by Gold Wake Press, an independent publisher based in Massachusetts and master-minded by the poet J. Michael Wahlgren.

I am psyched to be sharing real estate in the GWP catalog with such writers as Kristina Marie Darling, Evan Kennedy, and Megan Martin among many talented others. The book is scheduled for a November 2012 release. Watch this space for more exciting announcements, and in the meantime you can check out some sample poems here, here, here, here and here and/or purchase the limited edition chapbook After Robinson Has Gone (the EP, if you will) from Greying Ghost Press here.

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