Check Them Out
- Aarti Nagaraju
- Amy L. Clark
- Angela McClendon
- Becca Klaver
- Beth Rooney
- Brandi Homan
- Carol Guess
- Carrie Scanga
- Chris Hutson
- Chris Tonelli
- Cystic Gal
- Dan Gutstein
- Daniel Maidman
- Daniela Olszewska
- Elisa Gabbert
- Elise Glick
- Elizabeth Colen
- George Awad
- Hanna Andrews
- Jac Jemc
- Jeffrey R. Esser
- Jeremy Hoffeld
- K. Lorraine Graham
- Kate Covintree
- Kristi Zimmerman
- Kristy Bowen
- Kyle Minor
- Leigh Stein
- Mairead Case
- Mark Wallace
- Martin Seay
- Mary Hamilton
- Matty Byloos
- Nicolle Elizabeth
- Paul Siegell
- Reb Levingston
- Rose Metal Press
- Samuel Day Wharton
- Sean Lovelace
- Steven D. Schroeder
- Switchback Books
- Tao Lin
- Victoria Dohnal
Archives
- July 2010 (4)
- June 2010 (5)
- May 2010 (2)
- April 2010 (5)
- March 2010 (4)
- February 2010 (4)
- January 2010 (5)
- December 2009 (2)
- November 2009 (6)
- October 2009 (5)
- September 2009 (3)
- August 2009 (4)
Poetry
After Robinson Has Gone
Based on the life and work of Weldon Kees, this 25-page chapbook is forthcoming from Greying Ghost Press.
Oneiromance (an epithalamion)
“Kathleen Rooney’s beautifully structured epithalamion is saturated with nuptial terror: the music and friction, zeal and unease, absurdity and profundity of marriage. Oneiromance (an epithalamion) parodies and feasts upon the vain excesses of contemporary wedding culture, but there’s tenderness and devotion here, too a sweetness that’s saucy rather than cloying: “Her breasts seem to him lovely as mud- / daubed birds’ nests.” I’m thrilled by a sensibility so acerbic, funny, sad, sardonic, insouciant, salty, and bittersweet, by poems so rich with slippage, misgiving, loss, and wit. Rooney’s work is animated by a dexterous, inventive intelligence and a fearless imagination: “those pearls / on your bodice are really your baby teeth?” Her poems fibrillate with fine surprises; their originality and edge are stunning. Like “a book in sandpaper” that could “destroy everything else on the shelves,” Oneiromance (an epithalamion) is scary good, wicked good, and Kathleen Rooney is surely one of the most brilliant poets of her generation, a discovery. Her linguistic powers provoke and awaken the page.” —Alice Fulton